For instructions on how to pair the DualSense controller to other devices, visit /support/hardware/pair-dualsense-controller-bluetooth . For instructions on how to pair the DUALSHOCK4 controller to other devices, visit /en-us/support/hardware/ps4-pair-dualshock-4-wireless-with-pc-or-mac/ĥAvailability of DualSense features such as audio output and haptic effects vary when using remote play on Android, PC, Mac, iPhone or iPad some features may not be available. DUALSHOCK4 is available on Android devices (Android 10 or later), iPhone and iPad (iOS 13 or later), and Windows PC and Mac.ĤDUALSHOCK4 features as Touch Pad, Motion Sensor, Light Bar and Vibration might not be available. Mirror Screen To Roku App Mac Free Recovery Software Sd Card Mac Macs 10. If you don't see the AirPlay icon (a square with a triangle popping out of it) in the menu bar. 1Titles that require PlayStation VR, other controllers except a DUALSHOCK 4 or DualSense wireless controller, or other peripherals such as PlayStation Camera are not compatible with PS Remote Play.ģDualSense is available on Android devices (Android 12 or later), iPhone and iPad (iOS 14.5 or later) and Windows PC, Mac (11.3 or later). Make sure the AirPlay option is turned on on your Mac computer.
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Overall, we believe that this song has a fast tempo. Since this track has a tempo of 171, the tempo markings of this song would be Lucifer - Album Version (Edited) has a BPM of 171. So, this may not be something that you would want to play at a dance-off. Though, it might not give you a strong dance vibe. Lucifer - Album Version (Edited) has a lot of energy, which makes it the perfect workout song. The duration of this track is 3:12 and was released on November 14, 2003.Īs of now, this track is currently not as popular as other songs out there. This song is track #12 in The Black Album by JAY-Z, which has a total of 14 tracks. Lucifer - Album Version (Edited) by JAY-Z Information & Busta Rhymes)ĭiddy, The Notorious B.I.G., Busta Rhymes Nicole Scherzinger, Yung Joc, Young Dro & T.I. Diddy & Pharrell) - RemixĬome To Me - feat. Below is a clip from the aforementioned documentary, showing Jay-Z and Kanye West working on this song together in the studio.Pass The Courvoisier Part II (feat. I would suggest listening to the album as a whole. I also like the song ‘Change Clothes’ from the album that song features the one and only Pharrell Williams. I think that’s just been ingrained in my head ever since. My sister got The Black Album, I want to say in 2004, and I have vivid memories of that ‘LUCIFER-LUCIFER SON OF THE MORNING’ sample blaring from the computer speakers as she played it on Windows Media Player. Well, the kick drum may be a bit overbearing to some, I don’t know. It wasn’t the first time the two collaborated, but everything from the groove to Jay’s confident delivery works too well. The match of Kanye’s production with Jay’s vocal here is just perfect. The final verse is also dedicated to Robert “Bobalob” Burke who was killed in 2003, and Jay-Z prays to God that Burke is allowed into heaven because, even though he may have sinned in his lifetime, he was an overall good man. Jay-Z raps about sinning under the eyes of the Lord, and seeking revenge on the killers of his late friend and hip-hop legend The Notorious B.I.G. Alongside fellow album track ‘Encore’, Kanye West produced ‘Lucifer’ taking a sample of Max Romeo’s ‘Chase the Devil’ and layering a piano riff and a whole lot of percussion on top. Carter as he worked with Kanye West, Rick Rubin, Timbaland and many more producers to get the job done. That album was promoted to be Jay-Z’s last before going into retirement, and there was this whole documentary on the making of the Black Album following Mr. ‘Lucifer’ is the 12th track on The Black Album, a record released back in 2003. But the man makes good music, I can see that. Have I ever wanted to listen to that voice on a regular basis? Can’t say yes. When he starts rapping, you instantly know it’s him. Again, one of the most iconic voices behind a microphone. What do people think of when Jay-Z comes to mind? Probably Beyoncé. He’s regarded as one of the best rappers of all time, that’s fine. This appears to be the first Jay-Z song I’ve covered in this long, long seven year list I’m in the process of doing, so I’ll just give you my small and insignificant thoughts on the man. Streaming platforms are the way to go here: Spotify, Apple Music, or preferably TIDAL in Jay-Z’s case. Welp, you’re gonna have to do with this live performance of today’s song its studio version can’t be found anywhere online. Pokkén Tournament Battles Its Way to the Nintendo Wii U™Īrcade Hit Comes to Console in Spring 2016īELLEVUE, Wash.-( BUSINESS WIRE)- The Pokémon Company International and Nintendo today announced the upcoming release of Pokkén Tournament for the Nintendo Wii U home console.
“Bringing Back the Person to Black studies. M Archive : after the end of the worldīambara, Toni Cade. Spill: Scenes of Black Feminist Fugitivity. “Bridge Over Troubled Water” (1971)Ĭlifton, Lucille. “Troubling Ecology: Wangechi Mutu, Octavia Butler, and Black Feminist Interventions in Environmentalism.” Critical Ethnic Studies 2, no. food/8/new-kale-crunch-side-testing-in-select-cities. “Introduction,” Funk the Erotic: Transaesthetics and Black Sexual Cultures. north-carolina-restaurants-lead-the-way-with-honey-peppercorn-salad-test. & “The Uses of Anger: Women Responding to Racism,” National Women’s Studies Association Conference (June 1981). Musser, Amber “Introduction,” Sensual Excess: Queer Femininity and Black Jouissance (NYU Press, forthcoming November 2018). “Punks, Bulldaggers, Welfare Queens: The Radical Potential of Queer Politics,” GLQ: A Journal of Lesbian and Gay Studies vol. Put a Little Honey in my Sweet Tea: Oral History and Quare PerformanceĬohen, Cathy. Riley, “Preface,” “Introduction,”Mary Anderson chapter! Black on Both Sides: A Radical History of Trans Identity (Minnesota, 2017).Į. “Something Else to Be: Sula, The Moynihan Report, and the Negations of Black Lesbian Feminism.” 110-138. Aberrations in Black: Towards a Queer of Color Critique. Extravagant Abjection:Blackness, Power, and Sexuality in the African American Literary Imagination. Physics of Blackness: Beyond the Middle Passage Epistemology. Closer to Freedom: Enslaved Women & Everyday Resistance in the Plantation South. Hawthorne, Camilla and Brittany Meché, “Making Room for Black Feminist Praxis in Geography,” Society and Space online, September 30, 2016, at:Ĭamp, Stephanie. Notes: Next time essay from Deeper Shades of Purple: Womanism in Religion and Society (Religion, Race, and Ethnicity), “Must I be a Womanist,” Making a Way out of No Way Townes, Emilie, Womanist Ethics and the Cultural Production of Evil.Ĭannon, Katie, “The Emergence of Black Feminist Consciousness” LaShawn Harris, “Black Women Supernatural Consultants, Numbers Gambling, and Public Outcries Against Supernaturalism,” Sex Workers, Psychics and Numbers Runners. “Chapter 7: Pedagogies of the Sacred: Making the Invisible Tangible” or in Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred. Photograph by Gabby Salazar, National Geographic. (Excerpts from) Letters to the Future: Black women/Radical writing. BioBlitz 2016 at Constitution Gardens News alert: Ducklings (at Constitution Gardens) are cute. Brother iPrint&Scan Win10 / Win10 圆4 / Win8.1 / Win8.1 圆4 / Win7 SP1 x32 / Win7 SP1 圆4 Driver Deployment Wizard Win7 SP1 x32 / Win7 SP1 圆4 / 2008 R2 Driver Deployment Wizard Win10 / Win10 圆4 / Win8.1 / Win8.1 圆4 / 2019 / 2016 / 2012 R2 / 2012 Uninstall Tool Win11 / Win10 / Win10 圆4 / Win8.1. Introduction: Renegade Poetics (Or, Would Black Aesthetics by An Other Name Be More Innovative?)Įd. “The Absence of Writing or How I Almost Became a Spy” 1997. “Reflections on the Black Woman’s Role in the Community of Slaves,” in Angela Y. “The Site of Memory,” “Strangers”ĭavis, Angela Y, and James, Joy. "Love and Violence/Maternity and Death: Black Feminism and the Politics of Reading (Un)representability." Black Women Gender Families Vol. "The Black Ecstatic." GLQ: A Journal of Lesbian and Gay Studies 24, no. 2-3 (2018): 343-365. “Venus in Two Acts.” Small Axe: A Caribbean Journal of Criticism 12, no. Nash, “Archives of Pain: Reading the Black Feminist Theoretical Archive,” in The Black Body in Ecstasy: Reading Race, Reading Pornography._:2-58. Wynter, Sylvia, “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation – An Argument.”: 257-337. “Mama’s Baby, Papa’s Maybe: An American Grammar” Diacritics (1987). Knopf, 1987.ĩ/25 - Week One - Welcome! - Greetings and Introductionsġ0/2 - Week Two - Reading Beloved, Reintroductions, and Discussion of Research If you need information for a Poster - contact them.Morrison, Toni. This means that RandomArchive shows their content, archived. This is a 4chan archive - all of the content originated from that site. This is the fastest way to select all the cells in the column, especially if the column contains several blank cells between the data. Images uploaded are the responsibility of the Poster. Put the cursor to the first cell in the column (or the second one if your Table has headers), then press Shift+Ctrl+End to go to the end of your table, hold Shift and press the Left key repeatedly until only the needed column gets selected. If you like this website please support us by donating with Bitcoins at 16mKtbZiwW52BLkibtCr8jUg2KVUMTxVQ5Īll trademarks and copyrights on this page are owned by their respective parties. If you need a post removed click on it's button and follow the instruction.Īll images are hosted on, see for more information. I fear when I do have to replace it with an LCD or DLP projector, it will not be so easy to change ratios as zooming usually raises the optical axis requiring a change in projector/lens angle to the screen, I believe. My CRT projector has ten preset aspect ratio positions. It's up to each individual to have whatever arrangement they wish, can afford and be able to change easily within budget limits. In my collection I have found:ĬinemaScope (2.35:1) įlat (1.85:1) (Other ratios like 1.77:1 and 1.66:1 are usually mastered onto the disc as 1.85:1 with cropping which is usually insignificant, though beware of different ratios during initial credits)Īcademy (1.33:1) We went digital two years ago and the picture now fits exactly within the masking with no overthrow, unlike the film days where the fuzzy edge of the gate had to overthrow on to the masking, the masking itself providing the sharp edge - it was always a compromise.įor Home Cinema, what is important is what aspect ratios are provided on DVDs and BDs. For the past 11 years I have been a projectionist at my local independent cinema. And there should be minimal overthrow on to the masking (preferably none). It doesn't work IMHO if the edges of the picture are not framed by black. I also mask it for 2.55:1 (Cinemascope 55) as CIW, using the 2.35:1 projector setting.įor any projection system masking is of the essence. It's therefore not CIH nor CIW but a hybrid, yet very close to CIH and so acceptable. In the event that has proved very useful as I can mask the screen to 2.35:1 as well as 1.85:1 and 1.33:1 (with a slight cropping top and bottom for 1.85:1) while using the whole screen for 70mm films. However, because of problems with positioning my CRT projector owing to an RSJ just slightly in the wrong place as well as a screen width limit imposed by equipment housing, I had to compromise on a screen of 2.2:1 rather than 2.35:1 ratio. I've now had Home Cinema for 15 years and had it set up originally for CIH. It's disappointing to me that CIH cannot be relied upon in all auditoria. Ever since I've always looked closely at each cinema I've ever been in to discern their way of accommodating CinemaScope. That was not acceptable to me - it defeated the object entirely. Unfortunately its proscenium was far too small and all its films were shown in CIW. A more local Essoldo cinema in Westcliff (may have still been called the Metropole at the time) joined the act and advertised a season of CinemaScope films. That was a 3000-seater and its proscenium easily housed a full CIH Cinemascope screen. I can still remember my excitement at being taken to see "The Robe" as the first CinemaScope picture at the Odeon, Southend, in March 1954, at the age of 11. So I've started a new one - because this is an ongoing discussion point and I'm sure will remain so for a long while to come.Īnyone who flits around tv stations, especially those from satellite, will quickly find that the problem of aspect ratio is very prevalent. Unfortunately that is now locked against further contributions, and though it does state that it has been moved elsewhere I've searched but have not found where that is. I've just read the very interesting thread on Aspect Ratio originally posted by Pecker on 18 July. One of the most noticeable drawbacks in 2.80 was undo in heavy scenes. The goal is to bring those operations back to a constant or logarithmic complexity.“ Artwork by the Spring movie team. “ In heavy scenes, new features in Blender 2.8x make most operations over data-blocks more problematic than in the 2.7x era.
In an Always-On mode, the GlobalProtect agent connects to the portal when the user manually selects Connect or Rediscover Network options or periodically at a configured interval default 24 hours. One more OK to save and close GP gateway settings.When GlobalProtect is configured in Aways-On mode, the GlobalProtect agent automatically connects to GlobalProtect as soon as the user logs in to the endpoint. Click OK to save and close client settings. This defines which subnets can be reached by GP clients once they are connected to gateway. Tutorial: GlobalProtect Client Certificate Authentication If a group is chosen from the drop-down, make sure that the GlobalProtect user is part of this group, if not the client will NOT receive IP address from gateway. Le reti gucci ed esaote: unanalisi di diritto del lavoro Leave the OS and User group to 'any' You may restrict it to required groups if wanted. Enable IPSec.Ĭheck this box to enable IPSec, this is highly recommended. Check 'Tunnel mode' to enable tunnel mode and select the tunnel interface created in step 4 from the drop-down. Give a name to the gateway and select the interface that serves as gateway from the drop down. Note: To change this GP setup from 'On-demand' to 'user-logon', just change the 'connect-method' from 'on-demand' to 'user-logon'.Īlso, select 'Install in Local root certificate store' to install these certificates in the client's local root certificate store after the client successfully connects to the portal for first time. Under ' Connect-method ' drop down, select ' On-demand Manual user initiated connection '. GlobalProtect Prelogon Using Cookie Based Authentication Leave the OS and User group to 'any' You may restrict it to required groups if needed. Under authentication profile, select the auth profile created in Step 3. Give any name to it, leave the OS to 'any' unless you want to restrict it. Give a name to the portal and select the interface that serves as portal from the drop down. It is recommended to create a separate zone for VPN traffic as it gives better flexibility to create separate security rules for the VPN traffic. Give a tunnel number, virtual router and security zone. This document explains basic GlobalProtect configuration for on-demand with the following considerations. Once connected to GlobalProtect, the user will see a 'disconnect' option to disconnect when needed. Access Route.įor Split tunneling : Specify required internal subnets like Anything outside these subnets will be accessed directly from the client's local network, this is called split tunneling.As the name says, on-demand at user's willthe user has control over when to connect or disconnect from GlobalProtect. Leave the OS and User group to 'any' you may restrict it to required groups if wanted. Timeout settings - leave them to defaults. Check this box to enable IPSec, this is highly recommended. Note: To change this GP setup from 'User-logon' to 'On-demand', just change the 'connect-method' from 'user-logon' to 'on-demand'.Īlso, select 'Install in Local root certificate store' to install these certificates in the client's local root certificate store after the client successfully connects to the portal for first time. Under ' Connect-method ' drop down, select ' User-logon Always On '. Leave the OS and User group to 'any' You may restrict it to required groups, if needed. The idea behind user-logon is to have the user 'always' stay connected to GlobalProtect. Permissions are inherited by sub-folders, but can be overridden by another. wdaccess file to enforce access to the folders. The CU WebAuth utility uses the information in the. (.wdaccess controls who can make changes to the files on your site.htaccess controls who can view pages on your site. wdaccess file, anyone can look at or change your files. They must obey all the Unix system rules for naming, permissions, etc. Although this looks like a Windows system, the files are on a Unix server. The image below shows a Windows machine connected via a WebDav client to a Unix ColdFusion server. For a Unix server, the folders follow Unix rules. (For a windows server, the folders follow Windows rules. depending on the type of server they are on. WebDav folders follow the Windows or Unix rules for permissions, naming, etc. For a site about different types of apple, you'd make subfolders under the apples folder. For example, for two separate sites about apples and oranges you would create folders apples and oranges. The best practice for file structure is to place all sites at least one level down from your htdoc folder. From there you navigate to your own folders. (For some older, legacy systems, you start in a shared area that many people can see. The htdocs folder might include files that belong to the entire website. This address is the one you use to connect to your site to work with the files.įor most servers, when you connect with WebDav, you'll see the htdocs folder, which is a standard part of sites provided by the web services group. Your WebDav address may look like the following example: This address is sent to you in an email message when your hosted site is set up. The web services group assigns a WebDav address for you using a standard naming convention. Instructions for mounting a drive are in the help for your operating system. The method for mounting drives differs with each operating system and even between versions of the same operating system. (Anyone who can use your machine can get to the server.) It is also more complicated to set up. This is less preferred than using a WebDav client because it creates a security vulnerability. Mounting the Drive Method (Less Secure): You can mount the server as an external drive so that it shows up as an icon on your desktop. Some WebDav clients are free, some cost small sums of money. Tools such as Dreamweaver will indicate when you are connected. When you connect to the server, the server appears as an additional drive. You can choose to always connect when you turn on your computer (reduces the boot speed for the computer) or to connect just when you need to use the server. WebDav Client Method (Preferred): A WebDav client is a program that allows you to connect to a remote server. Two common methods for connecting to a server using WebDav are through a WebDav client (preferred) or by mounting a drive (less secure). Note: If you want help with best practices, contact The web services group won’t write code or change your content, but they can assist you with best practices. in a car)ĭevice manufacturers' challenges
Here are the ones we consider to be the 50 best, lovingly presented with respect and awe for that amazing, strange, and often groundbreaking era. There are countless tracks since 2010 (the time frame we’re using as our definition of “modern”) that borrow from the ‘80s, and a great deal of them should be embarrassed by neither their sound nor its provenance. And a new crop of musicians, from pop stars to indie darlings, embraced those sounds, emulating them in the same way other artists repurposed the blues, classic ‘60s rock, and ‘70s punk. The cool kids appreciated the tracks without sarcasm. Critics came around to laud the achievements of ‘80s artists they once dismissed. But then fans who grew up secretly loving those songs stopped being embarrassed. Owing to an array of one-hit wonders who overstuffed their tunes with synthesizers and went a little too heavy on the Aqua Net, it’s often easy to dismiss the music of the 1980s - and for a long time, many people did. The boys from Wilmslow seem to have done it again, creating a beautiful video telling a complex story that makes you never want to take your eyes off of the screen.Photo-Illustration: Maya Robinson/VultureĪll week on Vulture, we’re examining ‘80s pop culture, and how it lives on today. It makes the gears in your mind turn and creak, you want to watch it a thousand times to analyze it and the underlying meanings and references to other creations by The 1975 hidden in the video (which you can view some of here ) only increases interest. It provokes feelings out of you that you didn’t expect to feel from this body of work. The music video is as cinematic as ever, capturing the disheartening atmosphere that makes your soul ache and your chest feel suffocated ever so perfectly. Maybe the opening is just an homage to David Lynch’s “Rabbits” and only that, we may never know. Granted, it’s a The 1975 video so there are bound to be hundreds of theories and questions left unanswered and an atmosphere arises where everyone can interpret the song and visual differently. Others believe that it could portray how much people focus on themselves in relationships and life overall. You start to think the song is more about falling apart with yourself rather than someone else, that it’s about self-preservation and discovery and the most internal struggle with yourself over who you are instead of the end of a relationship you never wanted to end where you go to metaphorical war over records and furniture and things alike. The opening scene makes the back of your mind buzz and wander to the polarizing, pressuring and often scary parts of the media and their obsession with artists that can come with very unhealthy elements. “Somebody Else” comes off as a soul shattering love song but after the video people are theorizing it’s a bit more than that, especially once you see faces in the crowd like the girl who saunters away with Healy and a group of men who give him quite the bloody nose turn into the singer himself. Each location has a specific melancholy mood and purpose to the story of the tenth track and how it unfolds. When he takes off his shirt the crowd cheers and then they loudly boo him as he takes off his clown shoes and makeup, sitting down next to his motionless counterpart where robotic, digitized, unintelligible words are said to the version of Healy on the couch.įrom there, you’re broken out of the black and white era and taken to a multitude of locations – bars, cars, eerily empty streets, diners, underpasses, and garages. The video starts off in a sitcom-esque setting in strictly black and white where we see singer Matty Healy sitting on the couch while another version of himself from the previous “A Change Of Heart” video walks in. Following the release of their sophomore album, I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It which dropped in late February, The 1975 have released a handful of videos honoring certain titles off of the record such as Love Me, UGH!, The Sound, A Change of Heart, and most recently Somebody Else. |
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